Or: The Brain of the Mastermind
I’ve wanted to write this post for a while now as I find personality typing fascinating. Knowing your personality type and how it equates to creative writing can help you to understand yourself, how you deal with the inability to write (aka writers block), and how you work through your writing. It can also help you deal with other personality types around you, but for the sake of this post, we’ll stick to the creative writing aspect.
There are 16 personality types, according to Myers-Briggs, the definitive system for sorting brains based on personality type. If you know your type, it can help you learn more about how you function. In this post I hope to share a bit about us oddballs of the world, the INTJ’s, and how we work.
Us INTJ’s – we don’t think like the rest of you. No really, we don’t; it’s scientifically proven. Personality profiles classify us as either Architects or Masterminds, and that’s exactly what we are. We’re the one’s devising strategy – watching you from the corner, analyzing, gathering information, determining the probability of success. Only after we’ve watched you either succeed or fail, will we then act. And our acts are not small, because deep down inside, we want to change the world (or rule it, but that’s too much work). Fictional characters like Bruce Wayne and Severus Snape are INTJ’s, along with Issac Newton and Facebook founder Mark Zuckerberg.
The INTJ Writer
As writers, we can’t just write about anything: we only write about those things that interest us. As technical writers, we’re focused and results-driven, but as creative writers, we tend to be all over the place, mirroring our interests. I’m not sure if I speak for all INTJ’s on this, but within my genre (Young Adult / Teen Fiction), I have several pursuits from high/epic fantasy, to science fiction, to horror all going at any given time. These are the areas that interest me. And when an INTJ becomes interested in something, we consume that something until we’ve learned all there is to learn. We’re abstract, we’re ambitious . . . but only if it’s not a lot of work.
We’re great at the ‘big picture’. We establish the world, determine its boundaries, and then attack with characters, plot, and creationism.
What Makes an INTJ tick?
I – Introversion
Okay, let’s get this straight: Introversion doesn’t automatically mean we’re the shy, anti-social outcast sitting in the corner watching you. True, we are watching you—watching from the sides, gathering information, determining if something is worth our time our not. Our actions are determined from our own internal world. We’re not spur-of-the-moment, we hate surprises – anything we can’t predict is bad. So instead, we watch. The larger the group of people, the more we’ll head to the outside and watch because large groups are unpredictable as opposed to small groups. Keep in mind the Mastermind connotation; we’re quiet and we’re analytical because secretly, we’re gearing up to rule the world while you’re downing your third beer or chatting with your fifth stranger.
It’s always the quiet ones
N – iNtuition
We rely on insight and ‘what’s worked well before’. The information we’ve gathered from our environment and by watching others rules what we ourselves do. It’s not a ‘gut’ feeling, that’s for the INFJ’s of the world.
For me, I hate to be first to do anything because being the first comes with the possibility of failure. I want to sit back in safety, watch, gather information, and then do. I won’t be the first to cross a street in a group of people—I want to watch to see if anyone slips, trips, or gets hit by a car. I won’t be the first in line for anything, although I will wait several places back in that line. I even hate being the first in line at a traffic light. If you want to call me a follower, so be it. I prefer to think of it more as sending a pawn in to battle to determine the best line of entry.
T – Thinking
When a decision is to be made, we ponder, and we think. Logic is a big part of what we do, simply because we’ve gathered so much information over the years that we’ve seen the patterns, we’ve determined outcomes, and we’ve figured out where things will fail far before the decision starts to mature. We know where this is going.
We’re skeptics; new ideas are bad because they’ve never been tried before and we have no information upon which to base a favourable decision. To say we fear change or the unknown is not exactly accurate; we fear the statistically unknown. Unknown implies failure, and who wants to fail?
J – Judgement
It’s all about the end game for us. Nothing is more important than seeing a project come full circle and wrap up. We won’t take on anything with a poor likelihood of success unless forced to do so. There’s a possibility we will succeed? Nope, I don’t deal in what is possible, I deal in what is likely, and yes what is possible and what is likely are two different things. And I’ll likely be a pain in your rear end if you drag me into a hopeless project with only the possibility of success.
Ender Wiggins (Ender’s Game) is also an INTJ
How INTJ’s Write
We’re a different type of writer, just as we’re a different type of personality. What may work well for other personality types will bog us down. There’s a perfectionist side to us; a need to get it right. Nothing short of perfect will do. We sweat the small details – is that chair in the corner of the room red or burgundy? What we see in our minds eye has to make it to paper in whole, or we’re not pleased. Some may see us as inefficient where we’re really not moving forward until everything is working like a well-oiled machine. Think of the INTJ’s as quality over quantity.
Go deep or go home
The best way to describe our writing style is ‘deep’. Although our focus may seem narrow (like re-exploring the typical end-of-the-world scenario through the hero’s eyes), we dig into the depths and the corners of that topic and pull out plot lines and twists of which you likely never thought. That’s because we have the big picture already; we know this scenario already. We can then build threads into the story and become the puppet master of our characters. We get those threads in place first – the foundations of the story – and then we dig deep into those foundations.
Sorry. I couldn’t resist an Inception meme!
When we start writing, we may start with a scene in the middle of the story and work backwards to the beginning and forwards to the end. As new information comes to the surface, we often need to go back and adjust details in earlier or later parts of the story, all staying within those threads we’ve set up. We’ll adjust and rewrite until we get it perfect.
Leave us alone
When we’re in ‘the zone’, we want to be left alone. Nothing is more annoying than someone bothering us while we’re just trying to get the ideas onto paper. Usually, the inspiration starts externally. For instance, while we’re doing the dishes or mowing the lawn. We think and think until we have a solid understanding of the scene, and then we head to our computers. Interrupt us and we’ll likely turn into huge jerks. For me, I have to write in bed; the family knows when mom’s in bed with her computer, don’t interrupt or she’ll likely rip your head off!
We’re predictable, apparently
One aspect of our writing I’m not sure I agree with (but this has been pointed out to me before) is that we tend to be straight-forward, working towards an inevitable conclusion. Our plots are orderly and progress towards the end where there’s one and only one possible resolution. For me, that’s totally not the case in my writing. I enjoy lulling the reader into what they ‘think’ is happening and then hitting them with a curve ball. I’ve left enough clues behind in the writing (at least I think I’ve left enough clues!) that this twist shouldn’t be so shocking . . . and maybe that’s why people say we’re predictable? I don’t know. I’m pretty sure I’ve thrown a couple OMG moments at my beta readers no one saw coming.
Putting Order to Chaos
We’re pattern solvers and organizers. Another thing about us, and I hate this phrase, is that we think outside the box (bleck!), but not so much so as to pave new roads. We take what’s already known and re-engineer that data. Our antagonists can turn into protagonists and the progression makes perfect sense, or we can save the world in a completely out-of-this-world way. Remember, we’re unparalleled information gatherers and we’ve dropped subtle hints; if you’ve paid attention along the way, you should have seen this coming. Hmm. Maybe we really are predictable!
Things make sense to us, even if they may not make sense to others, and we can present this in a way as to not thoroughly confuse the snot out of our readers. My favourite author, Robert Jordan (The Wheel of Time) is an INTJ, and if you’ve read his series you’ll soon realize there is a huge weaving of plot lines (ha-ha, see what I did there), but they are presented well enough so that you can discern one plot from another. There are plenty of twists and turns, but if you’ve paid attention, these are more of ‘ah-ha!’ moments and less ‘Wow, didn’t see that coming’ moment.
What’s Next?
Man, this post is getting long! I’m going to split it into two parts. In the next post I’ll talk about writers block, because it affects us INTJ’s differently than it affects other writers. I’ll also talk a bit about organizing a novel from the INTJ perspective; being a pantser is a bit out of the realm of INTJ as it involves too much spontaneity, but it works well for me.
Are you a Planner or Pantser?
In truth, I’m likely a combo of the two as I do plan, but I mostly pants; that’s where all the best and most off-the-wall ideas come from. Giant pig demon anyone?
Until next post!
– Rissa
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